Why 'potential' is the most dangerous word in Croatian tourism and how to finally turn the story into a product

Author  Goran Rihelj

6. June 2026.

Croatian tourism has grown for decades on space, sea, sun and natural beauty. But in an era when almost every destination has accommodation, restaurants, beaches and attractions, the real question is no longer just what a destination has, but whether it can explain why it is important.

One of the key theses that I have been advocating for years is that we must be narrators of their own stories, content and space. It is no longer enough to offer guests only sun and sea, or a basic product. We have to offer them meaning. Especially today, when tourism is increasingly looking for context, local stories, authenticity and a broader narrative that gives the destination added value.

This is where the line is drawn. This is where we choose whether we will just count arrivals and basic consumption, or whether we will finally start selling the real experience and turn to higher-quality tourism. To translate it in a different language: this is where the difference is created between ordinary and higher tourist consumption, between arrival and experience, between mass and quality, or premium tourism.

Because premium tourism is not just a more expensive bed, a better hotel design, or a higher price for a service. Premium is not luxury (which is often misinterpreted), but the value that the guest feels throughout the entire destination experience: through content, quality service, infrastructure, authentic offerings, interpretation of space, meaning...

In order to make that step forward, it is not enough to raise accommodation capacities alone. We need to improve communication, offer, interpretation, experience management and, of course, infrastructure... the overall experience.

The narrative management imperative

We live in a time of immense communication noise. Every day, thousands of posts, blogs, news, headlines and content are created, often repeating the same phrases, the same photos and the same messages. Additionally, in today's AI era, destinations no longer have complete control over what is communicated about them, how algorithms interpret them and what content is delivered to guests.

That's why it becomes crucial for a destination to create, manage, and systematically build its own narrative. Because if we don't tell our story, someone else will.

That is why the project Dalmatia Storytelling Destination It needs to be viewed more broadly and put into perspective. The project started relatively quietly, going through the pandemic and the tourism crisis, but the direction was clear from the beginning: to turn local stories, heritage and identity into concrete tourist experiences.

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Dalmatia Storytelling Destination, under the baton of the Split-Dalmatia County, has been developing since 2020, and the first major cycle was completed in 2023 with the awarding of the quality mark to 40 heritage interpreters. Since then, the project has expanded through new educations, certifications and the development of themed tours, while at this year's formal academy awards were given for 44 new products.

Through the project base and the visual concept of the platform, which symbolically conveys "one pebble, one story", a digital catalog of real-life experiences has been created. A number of over 80 commercial, year-round themed tours and interpretive walks which are available on the platform today Dalmatia Storytelling  are concrete proof that the Split-Dalmatia County is positioning itself as one of the leaders in the development of cultural and tourism products in Croatia.

The fact is that Central Dalmatia is systematically trying to do what Croatian tourism often lacks: to tell the identity of the area through an authentic and year-round tourist experience.

From resources to products

Because heritage in itself is not a product. A story in itself is not a product.

Local customs, legends, fortresses or old town centers become tourist value only when a living character speaks through them. Only when at the entrance to the lapidary of the Archaeological Museum in Split, guests are greeted by the embodied Don Frane Bulić with anecdotes about Roman stones, when in the Meštrović Gallery, his wife Olga tells the story of the artist, or when local guides take you on a costumed walk through the authentic peasant life of the island on Šolta... only then does the story gain true value and meaning in the end, because we connect them with the guest and turn them into an authentic experience that can be experienced, purchased and retold.

This is the key difference between promotion and the actual development of a tourism product. The promotion mainly shows and invites the destination. Product development gives the guest a reason to experience, understand and pay for something. And the key thing: promotion can attract attention, but the product creates value.

Dalmatia has exceptional capital here. Not just in its bare space, but in the truly deep layers of identity: from fishing and maritime tradition, klapa songs and wine, to gastronomy, rich history and local customs. However, real value only arises when these layers cease to be just silent backdrops, but become an active part of the tourist experience.

When the sphinx on the Peristyle gets a voice to tell its story, when Diocletian's Palace stops being just a backdrop for casual photography and becomes a living narrative about the construction of ancient Split, or when historical figures in Sinj and the Cetina region bring history to life in an interactive way through specialized guided tours - then we create a well-rounded tourist product.

That is why it is important that the Dalmatian Storytelling Destination is not only about inspiration, but also about education, certification, mentoring and market entry. Or more specifically, the story is trying to turn into a product. And that's the key.

Tourism does not live off its potential, but rather a product that the guest can find, understand, book and pay for.

This is where we come to the question. year-round tourism.

Croatia has been talking about it for decades, but year-round tourism does not arise on its own, nor is it built solely with new accommodation facilities. It arises by creating reasons to come outside the main season. And the stories, heritage, culture, gastronomy, local people and authentic experiences exist all 365 days a year.

That's why storytelling is not a decoration for a destination, but a serious one. destination development and management tool. It extends the season, expands tourist spending, involves the local community, gives space to small entrepreneurs, redistributes tourists and preserves the identity of the destination. When set up well, storytelling is not folklore or a show for guests, but a way for the local community to transform its own heritage into new economic value without losing authenticity.

And that's why a well-told local story has greater value than another apartment, another pool or another generic investment. Because the offer, content, identity and space make it base or foundation destinations. Only when the destination has a complete reason for coming, a clear story and quality content, investments gain full meaning.

Investments in themselves are not development, but an upgrade to the existing identity, content and reason for coming. If there is no content, meaning and narrative, then even the best infrastructure remains only an expensive backdrop.

Of course, there is a great responsibility involved. Storytelling must not become a new form of superficial tourist "packaging". If stories start to be invented, trivialized or turned into decor for quick consumption, then we lose the very thing we are trying to preserve. That is why it is important that heritage interpretation is serious, professionally led and connected to the local community.

Tourism does not live off its potential

Dalmatia Storytelling Destination therefore raises a broader question for the whole of Croatia: Do we know how to turn our resources into stories, stories into products, and products into sustainable value for the local community?

Because if we don't know, we will remain at the level of potential. And potential is maybe the most dangerous word in Croatian tourismWe have the potential for eno-gastro tourism, cultural tourism, active tourism, health tourism, year-round tourism. But the potential is still just a wish, an idea or an imaginary possibility.

The goal must be action. Clear management, business processes, responsibility and product development that turn potential into a concrete resource.

Only then do stories, heritage and identity stop being beautiful rhetoric and become real tourist value. That is why projects like this should not remain just a beautiful county story. They should be part of a serious discussion about how Croatian destinations build their own identity in the age of communication noise, artificial intelligence and global competition.

In the end, the question is not whether we have stories. We have more than enough. The question is whether we know how to tell them, manage them, and turn them into a reason to come?

Because in the tourism of the future, the destinations that claim to be authentic, special and different will not win. The winners will be those that turn their identity into a product, the product into an experience, and the experience into added value for the local community.

From this text, I'm sure, we can draw a lot of parallels, and they are all part of our overall touristic mosaic. Ultimately, the Dalmatia Storytelling Destination project is a living and marketable product, not just a theory on paper. However, it was not created by chance, but rather the result of a strategic decision and management.

That's why tourism is not just promotion, but primarily management. 

Author  Goran Rihelj

6. June 2026.